Triangles prove their masculinity

In this collection, which includes self-portrait photography and painting, my concern continues along the path of confusion and discovery of my own femininity.

 This time, it is in an unwelcome coexistence with my surrounding environment. The presence of static and sharp triangles represents for me the dominant masculine religious force in society. It has imprisoned the entire city for me without any escape route. The chaotic and anxious atmosphere is conveyed through the scratches and scattered lines in the works.

The figures in this collection are humble elements that have succumbed to the oppression imposed by society. The limited and often grayish colors I have used indicate the significant distance from joy in the community. Occasionally, a pale red appears, showing a small attempt to inject feminine beauty into society, but even that is suppressed by the presence of the triangles. In the self-portrait photographs, the same phenomenon occurs, where a form (representing the male and religious power) covers my face and completely imposes itself on.